SOLEIL LEVANT

Sylvaine MERLET
Ref PE6-EN
2026 - France
Peinture acrylique : 100 x 81 cm large
3 900,00  TTC
Taxes et frais de livraison inclus.

Voyage au JAPON : Geisha, Samouraï, Dragon, Shintoïsme, Bouddhisme, Taïko, Hanami, Mont
Fuji, lanternes, Sangaku, Haïku, Origami, Yin et Yang, Maneki Neko, Judo, Hiroshima et son
mémorial….

1 in stock

about this artwork

This work presents an immersive journey to the heart of Japan. The face of a Japanese woman
in this way becomes a gateway to the culture, history and spirituality of the country, where
every detail tells a story.
Around this central portrait, unfolds a universe full of symbols and references
emblematic of Japan: grace of a geisha, discipline of a samurai, power
mythical dragon, and the teachings of Buddhism. The majestic Mount Fuji, the
traditional lanterns, torii, and graphic compositions of Sangaku reinforce the
aesthetic and symbolic dimension.
Popular culture and traditional arts are also present: Haiku, l-origami,
maneki Neko, Wadaiko percussion, Judo and Jigoro Kano, its founder. The
it also evokes major historical events, such as Hiroshima and her memo-
rial, integrating memory and reflection into this cultural celebration. The Yin and Yang recall
balance and harmony that go through the whole composition.
This portrait is a true mapping of Japan, combining tradition, modernity, history and
spirituality. The work becomes a visual and emotional journey, where the spectator discovers the
richness and depth of japanese culture through an intimate and poetic look.

about this artist

Sylvaine Merlet’s painting is a crossing.
A dive into the visible and invisible layers of the world, where human, nature
and the imagination intertwined. His images are born of a need to hard what escapes
the words: the emotions buried, the collective memories, the silent bonds that unite the
beings.
The look is at the heart of his approach. It is threshold, passage, mirror. It’s through him that he’s
fragility, strength, doubt and hope prevail. The figures that she painted are not
not content to be seen: they look back, inviting the spectator to a meeting
Intimate, almost meditative.
Each canvas is built as a world to explore. Under the apparent unity arise
fragments, symbols, hidden narratives, like so many strata of thought.
The work reveals itself slowly, to the one who agrees to lose his stature,
let time do its work.
The colour is alive, vibrant, sometimes incandescent. She carries raw emotion, guides the
look and circulate energy. It is breath, impulse, inner movement.
Painting becomes an act of binding:
Connect the human to the living, the present to the ancient myths, the real to the imaginary.
In a fragmented world, Sylvaine Merlet’s painting opens one. Resonance space,
of contemplation and dream where everyone can find a forgotten part of himself.

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